Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jjean-Marc nattier
Marie Leszczynska, Queen of France, Reading the Bible

ID: 93337

Jjean-Marc nattier Marie Leszczynska, Queen of France, Reading the Bible
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Jjean-Marc nattier Marie Leszczynska, Queen of France, Reading the Bible


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Madame Henriette de France as a Vestal Virgin | Princess Louise-elisabeth of France - The Earth | Repro painting of Philippine elisabeth d'Orleans or her sister Louise Anne de Bourbon | Madame Louise of France | Princess Anne-Henriette of France - The Fire |
Related Artists:
oscar wilde
Born: 16 October 1854 Birthplace: Dublin, Ireland Died: 30 November 1900 Best Known As: The author of The Importance of Being Earnest
Charles - Theodore Frere
French, 1814 - 1888
Jan provoost
Dutch, born circa 1465-1529,South Netherlandish painter. He probably came into contact with Simon Marmion, the renowned painter and book illuminator from Valenciennes, via Jacquemart Pilavaine, a publisher and illuminator in his native Bergen. Provoost married Marmion's widow, Jeanne de Quaroube, before 1491, and it is thus assumed that Marmion was his teacher. In 1493 Provoost moved to Antwerp, a promising town for artists, where he registered as a master in the Guild of St Luke, but in 1494 he travelled to Bruges. He became a citizen there and soon played an important part in the painters' guild. In 1506 Maximiliaen Frans (1490-1547) was his pupil. Provoost received commissions for decorative work from the town council and church authorities in 1509, 1513 and 1520, the year of the Triumphal Entry of Charles V into Bruges, for which he worked on the decorations. He returned to Antwerp the same year to meet Albrecht Derer, who may have drawn his portrait. Derer visited Bruges in April 1521 and was Provoost's guest. Of Jan Provoost's children, Adriaen Provoost (b 1508) became a painter and Thomas Provoost a glassmaker, both active in Bruges. Jan Provoost's time as a pupil in a northern French miniaturist's workshop was of decisive influence on his later oeuvre. His work radiates assurance, with its precise drawing, restrained expression and airy landscapes, and he was successful in Bruges, where there was little competition after Hans Memling's death in 1494.






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